Monday, March 16, 2009

Asian Americans in Musical Theatre

Musical Theatre

Anything Goes (1934)
• Music and Lyrics by Cole Porter
• Takes place in various locations on an Ocean Liner (www.ibdb.com)
• Characters: Ching and Ling
o Two Chinese ‘Converts’ and reformed gamblers who accompany the Bishop
• Character Sir Evelyn also admits to a one-night stand with a young Chinese woman in Act II

South Pacific (1949)
• Rodgers and Hammerstein
• Set in two islands in the South Pacific during WWII
• Based on James A. Michener’s Pulitzer Prize-winning Tales of the South Pacific
• Musical won Pulitzer Prize for Drama 1950
• Main theme is not traditionally of that island, but more of what Rodgers imagined to evoke the island feel (PBS documentary on Broadway)
• “Bali Ha’i”
o sung by Bloody Mary, who is an islander
o she is often cast as Black but is supposed to be Asian or Pacific Islander

The King and I (1951)
• Rodgers and Hammerstein
• Set in and around the Royal Palace in Bangkok (“Siam”) in the 1860’s (www.ibdb.com)
• Based on the book Anna and the King of Siam by Margaret Landon, which was based on the memoirs of Anna Leonowens
• Story of an English governess who goes to Siam to teach the king’s children
• Integrates European culture with Siamese elements “Hello, Young Lovers,” “Getting to Know You,” “Shall We Dance”

Flower Drum Song (1958)
• Rodgers and Hammerstein musical
• Based on the novel of the same name by C.Y. Lee
• Story is about Asian and Asian American cultures and the differences in these cultures, set in San Francisco’s Chinatown in the present time
• Features 4 main characters:
o Linda Low (Americanized female)
o Sammie Fong (Americanized male)
o Mei-Li (not Americanized female)
o Want Ta (not Americanized male)
• “Chop Suey”
o “Song that celebrates American culture as defined by a white popular culture, not the ethnic pluralism that the title suggests” (Wang, Oliver. “Between the Notes: Finding Asian America in Popular Music”)
• “I Enjoy Being A Girl”
o About the stereotypical qualities of an American girl
• Musical emphasizes the importance of such “Asian” qualities as honor, family, and background


Miss Saigon (1991)
• Lyrics by Alain Boublil, Richard Maltby, Jr.; Music by Claude-Michel Schonberg
• Set during Vietnam War
• Based on Puccini’s Madama Butterfly
• About an American soldier fighting in the Vietnam War who falls in love with Vietnamese prostitute
• Controversy: Casting European American actor, Jonathan Pryce, to play Eurasian pimp (Wei, William. “Who Am I? Creating an Asian American Identity and Culture”)
o Asian American Theatre Company protested
o “Cameron Mackintosh and his associates maintained that casting Pryce in the lead was purely an artistic decision”
• Originally starred Lea Salonga (Filipino singer and actress)
o She went on to play both Eponine and Fantine in Les Miserables, both traditionally European roles (www.ibdb.com)
• Inclusion of Vietnamese traditions – “The Ceremony (Dju Vui Vai)”
• Also features various images of the American Dream – “The Movie in My Mind”
• Ends with the main Asian female character, Kim, committing suicide so that her American lover (and husband), Chris, would be forced to take their son back to the States


Avenue Q (2003)
• Music and Lyrics by Robert Lopez and Jeff Marx
• Won Tony for Best Musical in 2004 (www.ibdb.com)
• Original musical, satire and political humor, set in present day (2003)
• Details the lives of various characters, both human and puppets, who live on Avenue Q
• Character: Christmas Eve
o Asian American, married to Brian, who is a white male
o Japanese, therapist with no clients (song “It Sucks to be Me”)
o Has an Asian accent and some grammar issues throughout the show
• “Everyone’s a Little Bit Racist”
o Song is about racial slurs and discrimination coming from everyone
o Christmas Eve has a part complaining of the term “Oriental” and how it is “offensive to me”
o They mention in the song that the correct term is “Asian American”
• “It Sucks to be Me”
o Christmas Eve has a solo
o “It suck to be me! I say it Sucka-Sucka-Sucka…”
• “The More You Ruv Someone”
o Christmas Eve song
o Highlights her Asian accent (absence of the “l” sound in some Asian languages results in the “r” sound)

3 comments:

  1. Your posts raises an interesting question: how is "Asian American" defined in your genre. Is it referring to the representation of Asianness on stage or in the plot, or is it the actual presence of artists of Asian descent? or Both

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  2. Ummm...should also count the revised book for FLOWER DRUM SONG in 2002.

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